The Rainman Suite’s Quiet Little Monsters is Pure ‘90s Nostalgia In The Best Way Possible
Charming Los Angeles trio, The Rainman Suite, have combined their childhood influences with the early 2000s stripped-down tones of The White Stripes and The Strokes to create a sound that was raised on The Replacements and nurtured by east coast art rock.
Urban Heat is Bringing Their Epic Sound to The World
The Austin-based three-piece is poised to bring dark wave industrial synth to the mainstream.
YUNGBLUD is Coming For His Legacy
Even though Dominic Harrison is fast becoming one of the most well-known artists in the world, he seems intent on tearing his career down to the foundation and rebuilding it in the most honest way possible.
ALEXSUCKS Might Not Know Where They’re Going, But They’re Going to Have a Lot of Fun Getting There
While writing off ALEXSUCKS as inexperienced 20-somethings with the right look might be tempting, the band’s genuine authenticity is undeniable
All Day Trey’s New Single, “Don’t Worry ‘Bout Us” is a Straight Shot of Dopamine
Since starting his career, Trey has used his music as a platform to advocate for mental health. That mission is still very much at the forefront with his new single “Don’t Worry ‘Bout Us.”
Rowdy Burns Busts Out of Small-Town Texas with Their Debut Single “Skeptic”
While updating the genre, Rowdy Burns has tapped into the side of southern rock that gets a little weird, a little dark, and a lot more fun.
Logan Lynn Teams Up with Yellow Trash Can To Turn Big Pop into Big Emotions On Distracted
Known for cheekily candid lyrics combined with big dance beats, Logan Lynn’s new EP takes an unexpectedly sentimental turn.
Mylo Bybee is Ready to Break the World with Master & Machine
Mylo Bybee has done a masterful job creating a piece of work that fully solidifies who they are.
Spirit Award Isn’t Afraid Anymore
Intending to create a project focused on vulnerability and raw emotion, Daniel Lyon cultivated a sound that digs below the surface and burrows out our most desperate secrets. A mix of Western psychedelic, post-punk, and pop sensibilities, Lyon’s songs are unassumingly candid. But don’t mistake them for the soundtrack to your next closet cry. Spirit Award isn’t making lonely breakup songs.
FM Rodeo Wrote You The Perfect Pop Song
FM Rodeo has pieced together two of the most influential music scenes of the ‘90s, resulting an undeniably catchy Frankenstein of clever guitar riffs, earnest lyrics, and ragged drum fills.
Small Million Picks Up Two More for the Ride
Portland-based duo Small Million has always reveled in the awkwardness of growth, but it wasn’t until they expanded into a four-piece band that they truly embraced evolution.
Building Worlds with St. Terrible
“I’ve always felt like my brain is categorized into different personalities with a separate genre of music for each one.”
Balks, Black Bolt, and The Mall Goth Moths Keep It Strictly Local
You were in the wrong place if you weren’t standing in front of The Neurolux’s crowned stage this past Saturday night. Heavy hitters Balks, The Mall Goth Moths, and Black Bolt reminded downtown Boise why sometimes the party is locals only.
Wes Schlag’s Debut Album is a Slow Burn with Hidden Potential
“Schlag’s new album is reminiscent of afternoon backroad drives and campfire conversations but does not hit its stride until halfway through the nine-song tracklist.”
Oblé Reed Is Not Here To Reminisce About The Past
Oblè Reed will not hold hands and reminisce with you about hip-hop’s golden age.
King Youngblood is a Juggernaut of Youthful Determination
“The Seattle-based foursome, composed of Cameron Lavi-Jones, Samy Garcia, Chet Peterson, and Alex Daniel, embodies the spirit of late ‘80s DIY with a sound and energy that echo back to the early days of The Red Hot Chili Peppers and Jane’s Addiction.”
McKenna Esteb’s New Single Will Put You in Your Feelings
Somber and introspective, “So Pretty” taps into gentle, guitar-lead indie rock as an anthem for loneliness and insecurity.
Balks Are Going To Teach You How To Be A Band
“I want to be jamming with these guys for the next fifteen or twenty years.”
Patchnotes Leaves It All In The Music
“Unlike some electronic music, Patchnotes’ songs are not overstuffed with endless tricks and overdubs. Instead, they fit like a velvet theater seat.”
You Will Fall in Love With Cabeza’s Spaced-Out Maze of Sound, But They Still Are Not Coming for Drinks at Your Mom’s House
Describing themselves as “Loud and obnoxious yet thoughtful and delicate,” Cabeza sits comfortably in their contradictions